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Frank Serpico is a young, inexperienced cop who starts out on patrol. Later, he starts to work as an undercover cop who busts all sorts of criminals, but mostly drug dealers and pushers. Since Serpico is a young man living in the 70’s, he lives as one. His image, based on how others look on him, shows him as just a ‘hippie’ and the criminals he busts have no idea he is really an undercover officer. Everything is working out well, except the money situation. Serpico refuses to accept money, as the other officers do. He feels this isn’t right, and wants to expose the situation. Who he thought were his friends now turn into his enemies when Serpico takes the stand on a grand jury investigation. He continues to work undercover, and his life is placed into jeopardy at the hands of his colleagues.

“Schindler’s List” is the based-on-truth story of Nazi Czech business man Oskar Schindler, who uses Jewish labor to start a factory in occupied Poland. As World War II progresses, and the fate of the Jews becomes more and more clear, Schindler’s motivations switch from profit to human sympathy and he is able to save over 1100 Jews from death in the gas chambers.

Piggy Banks tells the story of two charming and brilliant brothers who finance their lifestyle by robbing and murdering pretty much anyone foolish enough to get in the car with them. They learn the business from their sociopath father (Tom Sizemore) who doesn’t bother to hide his crimes, or the brutal philosophy which drives it. He tells his sons people are just piggy banks. You need money? Just break one open. Michael is sloppy and reckless he goes about his work with a demented glee, John perhaps even more horrifyingly, understands the misery he inflicts he simply doesn’t care. It’s just a job. Lock all your doors.

Based on James Dickey’s novel, this film tells the story of an ill-fated canoe trip in deep backwoods America, where the people are as scary as the country is beautiful.

In Middletown, at 11:14 PM, two cars accidents happen at the same time, affecting the lives of five different groups of people. A drunken driver hits a man in a lonely road near a bridge; three young men hits a woman with a van, one of the passenger has a severed penis while another man on the road shoots them; a young man robs a convenience store, with the support of the clerk; a man finds a body in a cemetery and gets rid off it; and a young woman pretending to be pregnant tries to raise money for an abortion. All of these characters and their fates are very connected.

The year is 2029. The world has become intensively information oriented and humans are well-connected to the network. Crime has developed into a sophisticated stage by hacking into the interactive network. To prevent this, Section 9 is formed. These are cyborgs with incredible strengths and abilities that can access any network on Earth.

A modern day look at America’s war on drugs told through four separate stories that are connected in one way or another. A conservative politician who’s just been appointed as the US drug czar learns that his daughter is a drug addict. A trophy wife struggles to save her husband’s drug business, while two DEA agents protect a witness with inside knowledge of the spouse’s business. In Mexico, a corrupt, yet dedicated cop struggles with his conscience when he learns that his new boss may not be the anti-drug official he made himself out to be.

Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

Full Metal Jacket begins by following the trials and tribulations of a platoon of fresh Marine Corps recruits focusing on the relationship between Gunnery Sergeant Hartman and Privates Pyle and Joker. We see Pyle grow into an instrument of death as Hartman has forseen of all of his recruits. Through Pyle’s torment and Joker’s unwillingness to stand up against it the climax of part one is achieved with all three main characters deciding their fates by their action or inaction. The second chapter of Full Metal Jacket delves into Joker’s psyche and the repeated referal to the fact that he joined the Corps to become a killer. When his mostly behind the scenes job as a combat correspondant is interfered with by the Tet offensive he is thrust into real combat and ultimately must choose if he really is a killer.