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A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

Tobacco industry lobbyist Nick Naylor has a seemingly impossible task: promoting cigarette smoking in a time when the health hazards of the activity have become too plain to ignore. Nick, however, revels in his job, using argument and twisted logic to place, as often as not, his clients in the positions of either altruistic do-gooders or victims. Nick’s son Joey needs to understand and respect his dad’s philosophy, and Nick works hard to respond to that need without compromising his lack of values. When a beautiful news reporter betrays Nick’s sexually-achieved trust, his world seems in danger of collapsing. But there’s always one more coffin nail in Nick’s pack.

Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.

Stan Ross was a baseball superstar who turned his back on the game years ago when he finally hit 3,000 hits. Years later, he’s now a successful, self-made entrepreneur whose many businesses revolve around his title: Mr. 3000. But a clerical error has proven that Stan is just short three hits of his spectacular hit record. Now, with time on his side and the potential to be inducted in the Baseball Hall of Fame, Stan must return back to the game and get back his title. But things have changed with age, and as Stan finds out, it’s not too easy to get back into the game when he hasn’t played for years, and he’s nearing 50.

Dr. David Gale, an advocate of eliminating the death penalty, is falsely accused of rape and murder. Once convicted, he ends up on death row in Texas himself, telling his story to a reporter through a series of flashbacks.

Steve Zissou, sea-film auteur a la Jacques Cousteau, has reason to be melancholy: his partner has been eaten, perhaps by a mythic jaguar shark, his wife may be taking up with her ex-husband, a young man appears claiming Steve is his father (Steve hates fathers), his most recent films have tanked, he’s having trouble raising money for his venture to revenge his partner, and he’s attracted to a pregnant reporter who prefers the pretender. At sea, in pursuit of the shark, will he escape pirates and mutiny, forge the bonds of fatherhood, place his arm around his wife, find the monster of the deep, re-establish box office hegemony, and discover a reason to smile?

The daughter of an actor with a high-society woman, Domino Harvey, bored with her life, decides to join the team of Ed Mosley and becomes a bounty hunter. But she gets in trouble when the Mafia’s money is stolen from an armored truck, while Mosley and his crew are in action participating of a reality show produced by Mark Heiss. The situation becomes out of control when the sons of a rival mobster are kidnapped while FBI is monitoring the two gangs of mobsters.

Kimberly Corman, 19, was just taking a trip with her friends.. But when she escapes a horrific car accident, she finds herself in Death’s path of destruction. Now, Kimberly, along with the other survivors, must find a way to save themselves…

Stacy Holt, an associate producer for a daytime talk show, is confounded by her boyfriend Derek’s unwillingness to talk about his previous relationships. Egged on by her co-worker Barb, Stacy sneaks a look at his personal digital organizer, scores the names and numbers of his exes, and sets up interviews with them—all in an effort to get closer to her man. Her plan starts to unravel, however, when she becomes friends with one of the women.