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Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

When three star General Irwin is transferred to a maximum security military prison, its warden, Colonel Winter, can’t hide his admiration towards the highly decorated and experienced soldier. Irwin has been stripped of his rank for disobedience in a mission, but not of fame. Colonel Winter, who runs the prison with an iron fist, deeply admires the General, but works with completely different methods in order to keep up discipline. After a short while, Irwin can feel Winter’s unjust treatment of the inmates. He decides to teach Winter a lesson by taking over command of the facility and thus depriving him of his smug attitude. When Winter decides to participate in what he still thinks of as a game, it may already be too late to win.

Brendan Behan, a sixteen year-old republican, is going on a bombing mission from Ireland to Liverpool during the second world war. His mission is thwarted when he is apprehended, charged and imprisoned in Borstal, a reform institution for young offenders in East Anglia, England. At Borstal, Brendan is forced to live face-to-face with those he perceived as “the enemy,” a confrontation that reveals a deep inner conflict in the young Brendan and forces a self-examination that is both traumatic and revealing. Events take an unexpected turn and Brendan is thrown into a complete spin. In the emotional vortex, he finally faces up to the truth.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

Two people Matt and Kate wake up in a closed down prison. They have no idea how they got there, or why they are there. In the prison they encounter several terrors as they look for an exit. These terrors include a wolf beast that terrorizes Kate, a hideous monster that hunts them both, a “zombie” surgeon who operates on people whilst you’re still alive, the executioner who gives Kate a ride in his electric chair and finally executes her with the guillotine. But Kate just wakes up again in the prison and the nightmare continues. Also in the prison Matt and Kate encounter a strange number that pops up a regular basis, first the number is being printed over and over again on a printer gone crazy, next the number appears painted on a wall in blood. Kate finds a room containing a vacuum tube machine for sending messages between rooms, when she pushes the operation button it comes alive and a cylinder appears. Inside the cylinder are the pictures of five people, Kate has no idea who these five people are. Later in the movie Matt and Kate explore the basement in the search for an exit and discover five pairs of shoes all neatly arranged on a shelf. As Matt and Kate endure these horrors, the beautiful fashion model Raquel Lake is being interrogated by the police about a series of homicides. Raquel is arrogant and diabolical, she also has a very high IQ and proves more than a match for the professional police interrogator. Strangely many of the subjects in the police interview correlate with the events transpiring in the prison. For instance, Raquel is shown a series of pictures of five dead people, and when Raquel is informed by the detective that they are “looking for a cold blooded predator.” Raquel’s response is….”like the wolf?” What is the connection between the two people trapped in the prison and the interrogation of Raquel Lake?

Two young Texas cowboys on the cusp of manhood ride into 1940’s Mexico in search of experience. What they find is a country as chaotic as it is beautiful, as cruel and unfeeling as it is mysterious, where death is a constant, capricious companion.

Luke is sent to a prison camp, where he gets a reputation as a hard man. The head of the gang hates him, and tries to break him by beating him up. It doesn’t work, and he gains respect. His mother dies, and he escapes, but is caught, escapes again, and is caught again. Will the camp bosses ever break him ?

This is the story of three gentle persons: Paul Rivers (Penn) an ailing mathematician lovelessly married to an English emigré (Gainsbourg), Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan (Del Toro), an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever.

In an abandoned house, detective Louis Burke confronts a maniac called the Sandman. Although the Sandman nearly kills Burke, Burke manages to stop him with a bullet. Sixteen months later, Burke joins a task force put together by the governor to investigate a series of unexplained deaths in the Harrison Penitentiary. While Burke poses as an inmate, attorney Amanda Beckett acts the role of his wife. In the penitentiary, Burke is forced to survive in an environment so dismal and filthy that it makes a public restroom in New York City look like a room in a five star hotel. Burke does succeed in befriending a few of the inmates, including Hawkins and Priest, who help him with the investigation. More inmates are mysteriously murdered. Burke’s cell-mate is killed, and prison guard DeGraff puts Burke in solitary confinement, where he’s interrogated and beaten. As if that’s not enough, the Sandman ends up at Harrison. As it turns out, the prisoners are being murdered for their body organs. Back on the outside, Beckett attends a party given by Vogler, the state’s attorney general. Just as she’s preparing to tell him about the murders at the prison, Beckett receives a call from her assistant, who identifies Vogler’s henchman Keane as the man behind the murders, which also involve Dr. Gottesman, the surgeon who harvests the organs to be sold to people who are in desperate need of them. The assistant’s suspicions are confirmed when Vogler tries to kill Beckett. Burke begins an escape from the penitentiary, pursued by the Sandman and hundreds of angry inmates who have been set free and armed with the knowledge that Burke is a cop. Burke and the Sandman have brutal showdown in which Burke tries to get the Sandman out of the way so he can go after Vogler, Keane, and Gottesman.

The human race has been relocated to a underground city located beneath the Earth’s surface. In the underground city, the population are entertained by holographic TV which broadcasts sex and violence and robotic police force enforces the law. In the underground city, society controls all life, all citizens are drugged to control their emotions and their behavior and sex is a crime. Factory worker THX-1138 stops taking the drugs and he breaks the law when he finds himself falling in love with his room-mate LUH 3417 and is imprisoned when LUH 3417 is pregnant. Escaping from jail with illegal programmer SEN 5241 and a hologram named SRT, THX 1138 goes in search of LUH 3417 and escape to the surface, whilst being pursued by robotic policemen.