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This movie is the fictional story of computer programming genius Milo Hoffman after graduating from Stanford and getting out into the competitive world of computer software. In his contemplation of where to begin his career, he is contacted by Gary Winston whose character is loosely based on Bill Gates. Winston is the CEO of a company called NURV, and they are on the brink of completing the global communication’s system, Synapse. They need Hoffman to help them meet their launch date, so after much thought and with the full support of his girlfriend Alice, he accepts the job. Tragedy soon after strikes and Milo becomes suspicious of the company he has been wrapped up in. He learns that trusting anyone could be a mistake, and that nothing is as it seems.

Cool and deadly NYPD detective John Shaft arrests Walter Wade, Jr. in a racially-motivated slaying. The eye witness disappears, Wade jumps bail for Switzerland, and Shaft is livid. Two years later, Wade returns to face trial, confident his father’s money and influence (and racial politics) guarantee an innocent verdict. Shaft looks hard for the witness, so Wade wants someone to kill her. He turns to a ghetto drug king, Peoples Hernandez, who’s willing to kill for money, use Wade as a route to rich drug customers, and shaft Shaft. Can Shaft find the witness, convince her to testify, and shepherd her through the hail of bullets that Peoples is sure to let fly?

The true story of a young soldier beaten to death for falling in love with a transgendered nightclub performer.

‘Moisés Kaufman’ (qv) and members of New York’s Tectonic Theater Project went to Laramie, Wyoming after the murder of ‘Matthew Shepard (I)’ (qv). This is a film version of the play they wrote based on more than 200 interviews they conducted in Laramie. It follows and in some cases re-enacts the chronology of Shepherd’s visit to a local bar, his kidnap and beating, the discovery of him tied to a fence, the vigil at the hospital, his death and funeral, and the trial of his killers. It mixes real news reports with actors portraying friends, family, cops, killers, and other Laramie residents in their own words. It concludes with a Laramie staging of “Angels in America” a year after Shephard’s death.