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T. E. Lawrence is a young maladjusted lieutenant in the British Army in North Africa during World War One. Unhappy with his current assignment coloring maps, he is ecstatic when he is offered a job as an observer in what is now Arabia. At this point, the story of his life becomes the stuff that legends are made of.

London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.

Frank Quinlan and Huey Driscoll, two reporters from a Chicago-based tabloid, along with Dorothy Winters, an ‘angel expert’, are asked to travel to rural Iowa to investigate a claim from an old woman that she shares her house with a real, live archangel named Michael. Upon arrival, they see that her claims are true - but Michael is not what they expected: he smokes, drinks beer, has a very active libido and has a rather colourful vocabulary. In fact, they would never believe it were it not for the two feathery wings protruding from his back. Michael agrees to travel to Chicago with the threesome, but what they don’t realise is that the journey they are about to undertake will change their lives forever.

A modern day look at America’s war on drugs told through four separate stories that are connected in one way or another. A conservative politician who’s just been appointed as the US drug czar learns that his daughter is a drug addict. A trophy wife struggles to save her husband’s drug business, while two DEA agents protect a witness with inside knowledge of the spouse’s business. In Mexico, a corrupt, yet dedicated cop struggles with his conscience when he learns that his new boss may not be the anti-drug official he made himself out to be.

After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first.

Gangster Sonny is the big man in Calogero’s Bronx neighborhood. A shooting witnessed by Calogero is the starting point of a lasting bond between the gangster and the small boy. Father (bus driver Lorenzo), however, disap- proves. Calogero grows up under the wings of both men, torn between his own natural honesty and his fascination with Sonny. C’s neighborhood cronies get involved in theft, use of guns, racial fights. When C meets girl, things don’t become easier. C’s leap to manhood is marked by tragedy, but also by his recognition of the many faces of love.

Damien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys, Gene & Karen York. When Karen realizes her baby was born under suspicious circumstances, she hires a private investigator to find Delia’s real parents. A series of bizarre accidents occur, and Karen begins to suspect everyone of conspiring against her as she unravels the truth about her baby.

Robert and Katherine Thorn seem to have it all. He is the US Ambassador to Italy and they want for nothing in their lives, except one thing: they do not have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggest that he take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees to to so but after relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.

In the 1970s, a foundling lad, Patrick “Kitten” Braden, comes of age by leaving his Irish town for London, in part to look for his mother and in part because his trans-gender nature is beyond the town’s understanding.

After an explosion on a ferry kills over 500 people including a large group of party-going sailors, an ATF agent investigates the crime. AN FBI agent also joins the investigation. Impressed with the ATF agent’s skills, the FBI agent invites him to join a new team that has a new program that uses satellite technology to look backwards in time for 4-1/2 days to try to capture the terrorist. Meanwhile a young woman who was burned washes up on shore. Meant to look like part of of the explosion, the body arrives at its location too soon, which leads the agents to believe her death is related to the explosion. As they use the new technology to study the woman, the ATF agent determines that this is not satellite imagery but somehow is using a time warp. From this point in the film, the movie moves from a crime film to a sci-fi time paradox film. Nonetheless, the action is non-stop and always captivating. The end of the film may be confusing to some people, but it is all laid out if one cares to look carefully. Contains some extreme violence that some may find disturbing, particularly during the explosion when many people are shown jumping off the boat in flames.