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After various skirmishes, two wounded soldiers, one Bosnian and one Serb, confront each other in a trench in the no man’s land between their lines. They wait for dark, trading insults and even finding some common ground; sometimes one has the gun, sometimes the other, sometimes both. Things get complicated when another wounded Bosnian comes to, but can’t move because a bouncing mine is beneath him. The two men cooperate to wave white flags, their lines call the UN (whose high command tries not to help), an English reporter shows up, a French sergeant shows courage, and the three men in no man’s land may or may not find a way to all get along.

Beginning in the 1930’s, “The English Patient” tells the story of Count Almasy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almasy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almasy is on his death bed after being horribly burned in a plane crash.

The powerful tycoon Auric Goldfinger (Gert Frobe) has initiated “Operation Grand Slam,” a cataclysmic scheme to raid Fort Knox and obliterate the world economy. James Bond, armed with his specially equipped Aston Martin (its accessory package includes built-in machine guns, a smoke screen and an ejector seat), must stop the plan by overcoming several outrageous adversaries. First there’s Oddjob (Harold Sakata), the mute servant who kills at the toss of a lethal hat; next, the beautiful Jill Masterson (Shirley Eaton), who gives new meaning to the phrase “golden girl”; and finally, sexy pilot Pussy Galore (Honor Blackman), whose romantic feelings for Bond complicate her involvement in Goldfinger’s high-flying scheme.