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The headmistress of St Trinian’s is jailed, and to try and keep order, the army and the police are called in, they don’t stand a chance. This time the hellcats of St. Trinian’s want to get to Italy where a rich playboy wants to select one of them as his wife (little does he know what he’s letting himself in for). To get to Italy in term time they have to win an essay writing competition, it’s easy when you know how. In Europe they run amok and become involved in jewel theft and their normal brand of chaos.

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson (Alec Guinness), they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito (Sessue Hayakawa). He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden (Jack Hawkins) and an American, Shears (William Holden), to blow up the bridge.

Fashion photographer Dick Avery (Fred Astaire), in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore. When the photo session is over the store is left in a shambles, much to salesgirl Jo Stockton’s (Audrey Hepburn) dismay. Avery stays behind to help her clean up. Later, he examines the photos taken there and sees Jo in the background of one shot. He is intrigued by her unique appearance, as is Maggie Prescott (Kay Thompson), the editor of a leading fashion magazine. They offer Jo a modeling contract, which she reluctantly accepts only because it includes a trip to Paris. Eventually, her snobbish attitude toward the job softens, and Jo begins to enjoy the work and the company of her handsome photographer.

Esteemed criminal lawyer Sir Wilfrid Robarts has just returned to practice after suffering a heart attack and is supposed to be on a diet of bland civil suits. But the case of Leonard Vole, a charmer accused of murdering a rich middle-aged widow, proves irresistible — particlularly when Sir Wilfrid meets the accused’s wife, the remarkable Christine Vole. Christine will appear as a witness: not the defense, but for the prosecution.

Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.