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While passing through the town of Bannock, a bunch of drunken, trail-weary cattlemen go overboard with their celebrating and accidentally kill an old man with a stray shot. They return home to Sabbath unaware of his death. Bannock lawman Jered Maddox later arrives there to arrest everyone involved on a charge of murder. Sabbath is run by land baron Vince Bronson, a benevolent despot, who, upon hearing of the death, offers restitution for the incident. Maddox, however, will not compromise even though small ranchers like Vern Adams are not in a position to desert their responsibilities for a long and protracted trial. Sabbath’s marshal, Cotton Ryan, is an aging lawman whose tough reputation rests on a single incident that occurred years before. Ryan admits to being only a shadow of what he once was and no threat to stop Maddox. Maddox confides to Ryan that Bannock’s judicial system is weak and corrupt, and while he’s doubtful that anyone he brings back will suffer more than the price of a bribe, he will not be deterred in his unrelenting pursuit of his duty. Initially Bronson appears willing to make concessions, but when his oldest friend Harvey Stenbaugh is killed after deliberately picking a fight with Maddox, Bronson digs in his heels with the rest of the town to resist the relentless lawman.

Big Jake McCandles is on the trail on bandits in this action drama that stretches from Texas to Mexico. It’s 1909, and the Old West is giving way to modern times. When the outlaw gang led bu vicious John Fain raids Jake’s ranch and kidnaps his 8-year-old grandson, Jake’s wife, whom he hasn’t seen in 18 years, sends for her husband to rescue the boy. While the law gives chase in rickety automobiles, Jake saddles up with an Indian scout, a faithful dog, and a box of money. But paying ransom isn’t Jake’s idea of good old frontier justice.

A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.

The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army lieutenant to assist in the negotiations with the Comanches. However, just two captives are released; and their reintegration into white society proves highly problematic.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. A film noir reminiscent of the stories of Elmore Leonard, ALL HAT is adapted from the novel by Brad Smith; Smith also penned the screenplay. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn. Sonny Stanton, gambling addict and spoiled heir to a thoroughbred dynasty, is in the process of buying up an entire concession of farmland to build a casino and golfing resort, and the only one brave enough to stand in the way of Sonny is Etta Parr, Ray’s old flame, who might be willing to forgive Ray if it wasn’t for her pride and common sense. The situation is a minefield, one Ray is determined to avoid. He hooks up with Chrissie, a sexy, sassy and talented jockey and steers clear of Sonny. But when a ten-million-dollar thoroughbred goes missing from the Stanton Stables, Sonny pushes things too far and forces the sale of the community’s remaining farms. Ray reacts by coming up with a plan to stop Sonny in his tracks and right a few wrongs in the process. The scheme is unlikely and audacious; the players are as unpredictable as nitroglycerin. One false move and Ray will land back in jail. And the smart money is against him.

Some time after the Mousekewitz’s have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan. Unaware of this, the Mousekewitz’s begin their journey west, while their true cat friend, Tiger, follows intent on following his girlfriend gone in the same direction.

In the 1860s, five men have been tracking a sixth across Nevada for more than two weeks. They shoot and wound him, but he gets away. They pursue, led by the dour Carver, who will pay them each $1 a day once he’s captured. The hunted is Gideon, resourceful, skilled with a knife. Gideon’s flight and Carver’s hunt require horses, water, and bullets. The course takes them past lone settlers, a wagon train, a rail crew, settlements, and an Indian philosopher. What is the reason for the hunt; what connects Gideon and Carver? What happened at Seraphim Falls?

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.

It’s a hundred years later, and the dhampir Rayne has arrived in the town of Deliverance, Montana where a group of vampire cowboys have emerged. Led by Billy the Kid, hell-bent on creating is own kingdom, he slaughters townspeople and rounds up children. He spares the life of Chicago Chronicle reported Newton Pyles. Rayne aligns herself with Pat Garret, a member of the long-thought-dead Brimstone society, a dishonest preacher, and a low life named Franson, to stop Billy the Kid and show the world how the West was really won.

A story set against the Mountain Meadows Massacre, the film is based upon the tragedy which occurred in Utah in 1857. A group of settlers, traveling on wagons, was murdered by the native Mormons. All together, about 140 souls of men, women and children, were taken. Amidst this, two young lovers-to-be, one a Mormon and the other one of the doomed settlers from Arkansas, develop a relationship in an atmosphere of suspicion and rancor.